All posts tagged: arts

If The People Have No Bread

Dear White Women in the Arts, Please continue eating cake in the corner with each other. I am using your Marie-Antoinette-havin-asses as something to look at while I stand in a group of boys clubs and discuss the new photographic prints which just came into The Gallery in large lead frames. Or, put your guns up and your cakes down, Ladies. (Source)

Dear Tech Employee Making 6 Figures and Still Finding It Necessary to Steal Artwork:

I understand that your 9 to 6pm guarantee of making more money than you’re realistically worth given the extreme economic disparity in this country has you feeling impervious to the same moral system that governs most of us,   Allow me to remind you of the general code of ethics which has existed since the early centuries of patronage. Art-WORK requires time, train fare, and intelligence. It is impossible to support such intelligence and effort if we are not paid for our products and skills. Considering your relative cluelessness to the creative process,   I assume you imagine that I simply sit down with a quill pen and a fireplace by my side and begin constructing drawings on the hide of dead lambs from last summer. These constructions of mine are simple, the discomfort of a cramped hand is easily soothed by the touch of a woman with her arms draped across my leather chair or by the clink of ice cubes under a splash of desert liquor after dinner.   Allow me to break …

Power sanding panels with Marjorie Welish

Marjorie Welish hired me to┬ásand 12 wood panels down from old paintings to new slabs she intends to paint on. Her work is concerned with a search for post-modern primary colors ; “what would be a post modern blue,’ she asks while we work together on the wood panels. The paintings I am sanding away are covered with black and white grids and areas of red, yellow, and blue paint. They are reminiscent of Mondrian’s color fields, interesting because of her use of shades; she has included two shades of red in one painting : I had an opportunity to briefly explain my practice to the artist, who quickly engaged me in conversation regarding the attentiveness of line. She referenced Hercules Seghers, who’s show of etchings just came down at the Metropolitan. “That man can think,” she says. ‘He is attentive to each line.’ I nod and tell her that “I find my attention comes and goes, I have areas drawn with a lot of focus and others where my mind wanders. I wonder, now, …